We are looking forward to the first Reel Monday film on Monday, September 27 at the Arden Theatre, starting at 7:00 pm. See below for new COVID restrictions. You can still purchase your tickets at the link below:
- September 27: The Father
- October 25: The Public
- November 15: French Exit
- December 13: In The Heights
Proof of vaccination is now required for admittance to the Arden Theatre (or negative test or valid medical exemption). Face masks are also required. Click here for more info.
Get your season pass for $50, or purchase your tickets $15 for each individual movie you are interested in (plus Eventbrite fees).
- Please contact friends@sapl.ca or visit the Library Customer Service Desk if you need assistance with purchasing your tickets, whether with alternative payment options or if you need help navigating the website.
- As this is a Friends fundraiser, there will be no refunds.
- Tickets can be purchased online until just before the movie begins but will not be available in-person at the door before the movie.
The Father (2020): Anthony is 80, mischievous, living defiantly alone and rejecting the carers that his daughter, Anne, encouragingly introduces. Yet help is also becoming a necessity for Anne; she can’t make daily visits anymore and Anthony’s grip on reality is unravelling. As we experience the ebb and flow of his memory, how much of his own identity and past can Anthony cling to? How does Anne cope as she grieves the loss of her father, while he still lives and breathes before her? THE FATHER warmly embraces real life, through loving reflection upon the vibrant human condition; heart-breaking and uncompromisingly poignant – a movie that nestles in the truth of our own lives.
The Public (2019): An unusually bitter Arctic blast has made its way to downtown Cincinnati and the front doors of the public library where the action of the film takes place. At odds with library officials over how to handle the extreme weather event, some homeless patrons turn the building into a shelter for the night by staging an “Occupy” sit in. What begins as an act of civil disobedience becomes a stand-off with police and a rush-to-judgment media constantly speculating about what’s really happening. This David versus Goliath story tackles some of our nation’s most challenging issues, homelessness and mental illness and sets the drama inside one of the last bastions of democracy-in-action: your public library.
French Exit (2021): “My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price (Michelle Pfeiffer), but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm (Lucas Hedges) and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.
In The Heights (2021): In Washington Heights, N.Y., the scent of warm coffee hangs in the air just outside of the 181st St. subway stop, where a kaleidoscope of dreams rallies a vibrant and tight-knit community. At the intersection of it all is a likeable and magnetic bodega owner (Anthony Ramos) who hopes, imagines and sings about a better life.
